My earliest memories of Christian fiction were of fiction sold only in specialty Evangelical Christian shops. My impression was that it was mainly designed for members of strict Evangelical groups who taught that Christians don’t read worldly novels— or drink, dance or own a deck of playing cards.
Our family wasn’t that kind of Christian. We were Presbyterians, and went to PCUSA churches— though the church had not fallen away from Christian teaching so badly at that time. We read ‘normal’ fiction. Though my mom had a novel called ‘The Silver Chalice’ which was VERY Christian in tone and told the story of the Early Church. But that novel was brought out by a mainstream publisher, and later was adapted into a Hollywood movie.
My, how the times have changed! Modern publishers don’t care to retain their Christian readerships. Mainstream novels are full of references to Christians of all sorts as ‘haters’— because the authors think it’s ‘hateful’ to oppose aborting children or oppose calling gay relationships marriage. Publishers not only don’t object to it, they seem to almost require it. And although Christian readers have adapted to this bigoted atmosphere enough to be able to read anti-Christian-biased fiction, it’s often hard to enjoy it. Particularly when authors accuse Christians of all being ignorant, while displaying their own ignorance of the commonest details of the faith they are hating.
Evangelical Christian fiction got noticed when the ‘Left Behind’ series started to hit the best-seller lists. It was helped along by the fact that secular folks got really interested Christian beliefs about the End Times about then, since they believed that the Evangelical End of the World would happen in the year 2000. This was a false belief— the REAL Evangelical End of the World happened in 1988 (40 years— one Biblical generation— after the founding of the State of Israel.) But it sold a lot of exciting books filled with Christian characters to people who might have been in spiritual need of them.
But now in the Internet age, the picture has changed. For one thing, Christian authors are connecting across church/denominational lines. In my Christian Science Fiction & Fantasy FB group we’ve had Evangelicals of many sorts, Protestants, an Episcopalian monk, Catholics, and a Mormon or two. And so we are more aware that sound Christian fiction can come in many ‘flavors’— though we disagree on the authenticity and usefulness of some of the ‘flavors.’
The indie fiction revolution means that Christian fiction writers are no longer out of luck if their denominational background is not accepted by the bigger Evangelical fiction publishers and their own church’s publishing house doesn’t accept fiction. Along with Evangelical fiction, Catholic fiction and LDS (Mormon) fiction, all of which have traditional publishers, the most obscure denominations, like WELS Lutherans, can have fiction tailored to their church background.
Because of indie fiction, individual Christian authors no longer need be restrained by old-fashioned and silly-seeming Christian fiction rules. For example, some of the old Evangelicals wouldn’t allow Christian characters to be shown drinking alcohol, dancing, or playing innocent card games, because some readers would have objected.
The indie freedom has its downside, though. Many Christian writers have read far more secular fiction than Christian. They also often have had very little if any religious education. I know of a number of young Christian girls who see nothing wrong with sex outside of marriage and cohabiting relationships, so long as the partners claim to be engaged. It’s perfectly possible that there are some young indie authoresses out there writing ‘sexy’ romances in which the characters are Christians, and who market their work as Christian romance. It won’t sell to the Christian market, and secular romance fans probably won’t touch it because of the Christian label.
Indie Christian fiction, then, is less ‘safe’ than traditionally published Christian fiction which has been vetted to death for offensive things, even trivial ones. But, as in secular indie fiction, that adds to the excitement of reading and discovering new indie authors. It helps to follow Christian fiction blogs and web sites which review indie and small press books as well as those from the big Christian publishers. They can help you find books which you might enjoy and warn you about any content concerns such as excesses of ‘magick’ in a fantasy novel.
If you are a writer and a Christian, it might be well to consider whether the wider world of today’s Christian fiction might be the right place for your writing. Pitching your book to fellow Christians might be a wiser move than aiming at secularists who might reject your work if they learn about your faith.
Will I review your great new Christian indie novel? Probably not. I am a very slow book reviewer and I have a backlog of books written by friends I must review. Also, I don’t enjoy every possible subgenre within Christian fiction. If you have a great contemporary romance, it probably won’t catch my interest enough to finish it even if you are the best romance writer ever! But, don’t despair. I am hoping to recruit a couple of Christian authors who will do a little guest posting of reviews for this blog. (How do you get your Christian book reviewed in the meantime? Join appropriate Christian author groups, make a few friends there, review THEIR books, and perhaps you will be able to arrange to trade reviews.)
One blog for (Evangelical) Christian fiction writers is Mike Duran’s deCompose. Here is a sample post: The Importance of Implicit (vs. Explicit) Christian Content in Fiction
My FB group for Christian writers of science fiction and/or fantasy:
Now, this group, being on FB, does not actually BAR non-Christians from joining. However, since the topic is the problems of CHRISTIAN writers in these genres, non-Christians rarely have much interest in the group. But all are welcome to join.