Poetry is dead? No, not really. Not on Twitter, anyway. There is a brave gang of us brave fools who share our shortest poems there— #micropoetry. There are a lot of #haiku. Some of them are actual haiku and others are more #senryu or other short poems.
Micropoetry is a great fit for our age when we have no attention spans and are trained by the FakeNews media to think in slogans and soundbites. Just as the longer poems were a fit for the Victorian age when local newspapers printed poems regularly and people read them.
Asian short poetic forms are a good fit for Twitter poetry and micropoetry. The sijo poem is too long to fit into a Tweet, but some have shared them in graphic form as Twitter poetry. Haiku is a natural. I often do Collom lunes, a poetic form of 3-5-3 words. I checked the hashtag #CollomLune and found others besides myself had used it, especially an antisemitic pro-palestinian fellow who is very persistent in his use of the hashtag.
I have been neglecting my poetic life for a few months and work up determined to do something about that. I looked up Collom lune online again so I could read a few and be inspired. Then I walked into the kitchen and saw a mother cat with a baby. Not actually HER baby, but a baby. And memorialized it in a Collom lune.
cat sits on
small box. kitten is nursing
from her anyway.
Of course, Tweeting my poem, submitting it on Micropoetry.com, and posting it in this blog post mean that I can’t submit the poem to most poetry markets. But since poetry markets don’t pay, and most are aggressively unfriendly to conservative voices, I’m not worried about that. I can always include them in my next poetry book. Which I ought to start writing one of these days now.
Where the Opium Cactus Grows: https://www.amazon.com/gp/product/0557939135/