I was bored yesterday, and so I watched Independence Day. Again. And at one point a character said that within 36 hours the aliens would destroy every major city. Which meant the human race would be exterminated.
Hello! What about the rural people? For the rural people getting rid of the cities would be an improvement. We give them the farm goods that keep them alive, and they give us drug dealers, taxes and laws that limit our ability to make a living. In other words, they give us liberals.
Well, I guess the aliens could use their visually cool explosions to kill the rural people like they killed the city folk. But rural folk are more spread out. They would have to explode us house by house, and each explosion would damage more of the Earth.
The aliens want the Earth for something. That’s a big, expensive space fleet they have. Why expend it— risk it— if they didn’t care whether they conquered Earth or not?
The aliens are somewhat like humans, so they need food to live. Where will they get it if they blow up all the farms? They would be better off enslaving all the farmers and taking their produce, or else driving the farmers off their farms and replacing them with alien farmers.
Each alien explosion drives up more stuff into the atmosphere. Their explosions aren’t nuclear, but they could cause a nuclear winter all the same— after all, a massive volcanic explosion once caused a ‘year without a summer,’ and may have caused US westward migration and affected the history of the Mormon church.
Would the aliens really want a world that is all ashes and suffering unseasonable coldness? Which would be made worse if solar cycle theory of Global Warming is true— the theory says we are at the end of a warm cycle and the start of a cool cycle. See ‘Dark Winter’ by John L. Casey.
I would say that enslavement is a far more likely fate for rural humans than extermination, when the aliens arrive. After all, the aliens have a motivation. They are not just conquering Earth for the hell of it. They want to use the Earth, not ruin it, and why wouldn’t they use the surviving humans if they had to avoid killing them to keep the planet useful? Human beings are concentrated in cities. Without the city folk or military bases, the rural population would be easy to control.
The writer’s lesson is this: if you are going to have an external force destroy or threaten the Earth, think about the external force’s motivation. What do they want? How will they preserve the things they want about Earth while conquering it? You can’t just say that since they are aliens we can’t understand their motivations. In a real world alien invasion, humans may never know all the details of what the aliens want, unless they tell us helpful hints like how they want humans to die. But we can surmise from what they do. If they destroy mineral mines, they may not care about exploiting our mineral wealth. If they destroy our atmosphere, they aren’t planning to breathe here. If they spare certain things— farms, exotic African animals, meek-and-obedient humans— we can guess that they want these things for some purpose.
It’s not the fact that the mag is so agented-writer and traditional-publishing in its orientation. Maybe they were just ‘born that way.’ But when they have agents claiming that they want to see more LGBTQ fiction and more MG/YA fiction, they are just showing forth what is wrong and stupid about today’s traditional publishing.
The LGBTQ is an ever-growing acronym that refers to homosexuals/Gay persons and the other groups that homosexuals want to include in their political battles, like persons with gender dysphoria and the ‘questioning’ people.
MG refers to a kind of children’s fiction aimed at middle grade children age about 8-12 or younger. YA or young ‘adult’ fiction claims to be aimed at children 12-18, but as the heroes of YA fiction are aged 16 or 17, it is clear that it is mainly aimed at children under that age. Children like to think they are a year or two more mature than other kids, and when you are talking about children who read for pleasure, they really are more mature. So they can relate to characters a year or two older better than they can an ‘immature’ character their own age or younger. So let’s call YA fiction’s age group more of a 10-14 year old’s fiction. Though of course if either MG or YA fiction is worth reading by children, it’s worth reading by adults as well.
It used to be just common sense that you were very, very careful about what you said or wrote to other people’s children. I remember when I taught school I got in big trouble by telling my class that the donkey was the symbol of the Democrat party. It’s true, but it made little kids laugh, and so some angry Democrat parents demanded to know why I was insulting their political party when I should have been insulting the evil, lying, racist party on the other side (which I supported, though I wouldn’t mention that to other people’s kids.)
A literary agent who thinks LGBTQ fiction is now mainstream is likely someone who has very little knowledge about things like being sensitive about what fiction is not suitable for other people’s children. They may not care because they may think other people’s children are not to be protected, but to be exploited and made to change their viewpoints to ones that the literary agent and his cronies think should be the norm in future voters. I have read of YA books, at least, that have not only excessive sexuality, but excessive gay sexuality.
If an agent like that can get written up in Writer’s Digest, it just goes to show that modern parents who want their children to have a childhood can no longer trust the labels on books. Just because it claims to be a children’s book doesn’t mean it is suitable for children, especially YOUR children.
I hope things don’t get to the point where a reading child’s reading life has to be inhibited because Mommy or Daddy must read every book first to see if it’s decent enough for a child to read. Many parents are not big readers, or have little time to read. My parents could have never kept up with all the books I read during my teen years. Especially since in high school I started reading a few books in German.
I think that the new world of Indie publishing has something to offer here. If the major publishers start publishing excessively sexualized children’s books, or ‘diverse’ books that promote modern progressive stereotypes and leave majority groups out in the cold and despised, indie writers can start producing works that are better, and find their own audience.
What is your writing habit like? Does writing happen daily? Twice daily? Twice weekly? Or irregularly, whenever you feel like it, have a good writing idea, or have lots of free time?
Chris Fox, who writes books about writing, has a book out with the title “Lifelong Writing Habit.” In the book (which I highly recommend) he talks a lot about habits. Habits you have, good and bad, and habits that can be changed, or ‘flipped’, into better and more helpful habits.
A habit, according to Fox, consists of 3 parts:
- The Trigger
- The Routine
- The Reward
The Trigger is the event that triggers the habit. In a writing habit, the trigger can be based on a certain time (4pm) or an event (getting up in the morning.) Getting an great writing idea can also trigger a writing session, or feeling ‘inspired’ or creative.
The Routine is the meat of your habit. In a writing habit, it is when you sit down and begin to write. The actual events of the writing session vary from person to person. One person does most of his writing in timed writing sprints, the next person does one long open-ended spontaneous writing session. One person outlines the day’s writing, the other person wings it.
The Reward is what you get when you do the Routine of the habit. When you habitually brush your teeth, your Reward is a clean mouth, and the hope of better dental health.
When you write, your Reward might be a feeling of accomplishment. When I was a kid and did writing assignments in school, my ‘reward’ for finishing the assignment was to have my paper all marked up with teacher criticisms. With a reward like that, you can bet I didn’t finish my assignments too often.
Think of the habits you have that you really do every day, without thinking. Make a list of at least 5 of them, and think about this for each habit— what triggers it? What is the meat of the habit? And what do you get from it?
For example, I have a habit of putting on clean clothes every morning. I don’t even think about it— unless I’ve gotten behind at doing laundry. The trigger is getting up in the morning. And my reward is that when I go out in public, I don’t feel ashamed when people notice me.
That’s an example of a good habit. What about a bad habit? One I’ve had for years is that when I see an appealing but unhealthy/carb-filled food I like, I buy it and eat it. The reward is nice taste and a sugar/carb rush, followed by a lack of energy, weight gain, and higher blood sugar. The immediate reward— taste and rush— often outweighs my concern about the long-term consequences. What I try to do is NOT look at the high carb foods (junk foods, even ‘natural’ ones) when I shop. And keeping plenty of the foods I can eat in the house, so I’m less tempted when I go shopping.
For the next week, track your writing. What triggers you to have a writing session? What is a writing session like for you? How many times do you actually write during a week? How many words do you write each day? In a week? And what are the rewards you experience when you complete your writing session for the day?
The problem with my daily writing habit is that I don’t have one. I mean to write every single day but then life happens— laundry, cooking, handling a sheep escape or a cat who wants to give birth in my lap— and writing is the thing that gets pushed out.
So I’ve gone back to Monica Leonelle’s book, ‘The 8-minute Writing Habit’ and started to do my 8 minute writing sprints. Miss Leonelle’s book has helped me— it’s gotten me to take up writing by dictation, and to track my writing sprints on a spreadsheet.
But this month I’ve checked my calendar and out of the 13 days in the month so far, I’ve only written on 3 of them (counting today.) What is wrong with me?
I’ve been thinking that over and I’ve decided this is the problem: though the Leonelle method would allow me to do just 1 writing sprint of 8 minutes and call it a day, I haven’t been doing that. I have been requiring myself to do 3 writing sprints. That’s 24 minutes of just writing, plus with writing down the results of the writing sprints, entering them into the spreadsheet, bathroom break, getting up to walk around a little to prepare for the next sprint— I’m doing 30 to 45 minutes, and even though I hadn’t calculated it out, my brain knows I’m not just asking myself to write for 8 minutes, but use up a significant chunk of time. So I put it off till later, and the late evening comes and my brain is tired from the day and just wants to play the Walking Dead game on my smartphone, and my body wants to take a bath and go to bed, and there went writing for that day.
So— change of plan. This morning instead of doing my writing just after getting dressed, I got up, put the cats off of me, and did urgent things like a bathroom visit and drinking a glass of water and feeding the cats, and then sat right down and did 8 minutes.
JUST 8 minutes. When I finished I put the result in my spreadsheet and put the flower sticker on my calendar (where I learned it was St. Anthony of Padua’s feast day) and now I have done my required writing for the day. I deliberately started to do other things to show my pesky subconscious mind that I really do mean ‘JUST 8 minutes’ now instead of ‘8 minutes that is really almost an hour.’
I may do more writing sprints today on my WIP. Or I may not. I have a lot of things to do today, like the blogging I’m doing right this second, or checking in with my online discussion groups, or folding clothes or moving the chicken pen with the GOOD chickens to somewhere the predator can’t find them….
As Miss Leonelle points out in her book, many writers who are NOT writing daily will do more words in a month with ONLY 8 minutes a day than they are doing now with longer writing sessions that they only manage to do 4 or 5 days a month.
EXERCISE: Stop right now. Close or minimize your browser, set a timer for 8 minutes, and WRITE! How many words did you do? How do you feel about it? Do you think you can do 8 minutes tomorrow? Please comment about it on this blog post.
My current WIP: Don’t have a title yet. It’s space colony fiction set in the same universe as some stories I’ve written. Main character is a girl from Earth who is sent to a colony where she ends up as a teacher of the children of a nobleman. I gave her the temporary name Amanda because my dictation software can spell Amanda, but the name is growing on me.
I have been using voice dictation to work on my current WIP for most of a month now, and thought I would give an update. I know that most authors who recommend using dictation say you have to buy Dragon NaturallySpeaking, but I have been using the dictation built in to my Mac to start. (There is also dictation built into Windows, I used it years ago for a little while.)
The most exciting thing I learned while Googling around looking for more info on dictation using the Mac’s Enhanced Dictation is that this dictation gets better on recognizing your voice over time. I’ve noticed that myself. Mistakes that I bother to correct sometimes lead the Mac to get it right the next time. On the other hand, I’ve just spent time dictating the word ‘caste’ into the Mac in various phrases. When I put the cursor at the very end of the word ‘case’ which it usually types, ‘caste’ still isn’t among the options. Since I use that word a lot in my sci-fi novel, I will have to google around to see if I can get more info on how to help the Mac recognize it. But I also can correct it during the editing stage as I do with the names of people and places the Mac doesn’t recognize.
I have a headset with built-in microphone that I use for dictation, but am planning on getting a better quality headset soon. I think that will improve the accuracy.
Some people ask me if I have problems with using the keyboard. No, not currently, though I do have arthritis in my hands that sometimes flares up. My real reason for using it is to learn to write faster, and overcome my ‘writer’s block.’
My problem is that I can make up stories in my head at a lightning fast rate, but getting them down into a computer is slower and thus frustrating. I easily lose interest in the project when I go through day-after-day of writing down things at a slow pace.
The dictation seems to be helping. I’m getting more words-on-page per writing session, and I have more writing days and fewer where I procrastinate until the day is done.
I have been doing the 8-minute timed-writing sessions recommended by Monica Leonelle’s “The 8-Minute Writing Habit,” and find I do more words in 8-minutes of dictation than in 8-minutes writing by keyboard. I continue to track my timed writing sessions on a spreadsheet, as I mentioned in a previous blog post. I think there is some improvement.
What I have to do:
Monica Leonelle, in ‘Dictate your Book,’ says that one value of learning dictation is that it will force you to separate your first-draft process from the editing/revision process, and she says that is a valuable thing.
I don’t quite do that yet. I am still correcting whenever the dictation fouls up. Now that I know that the Mac will get better recognizing what I want to say, I will probably want to correct. But that does slow down my writing. I’m trying to plow ahead. In cases where I might forget what I originally meant to say by the time I edit, I say the sentence a second or third time. If that fails, I correct the key word I might forget, and leave other mistakes for later.
The ‘space’ problem
One problem that happens over and over is that I end a sentence, and open the next one by saying ‘open quote’ and starting to speak a line of dialog. It puts the quotation mark at the end of the old sentence, puts in a space, and only then starts the new sentence. Googling around, I’ve discovered that this happens to other people too.
I tried ending a sentence and saying ‘space’ before I say ‘open quote’ but that just makes it spell out the word ‘space’. I needed to know the command to make the dictation add a space. Turns out, the command for that is ‘spacebar.’ I will have to try that next dictation session. Because, although you can certainly leave things to be edited later— I mean, some people even leave out all the quotation marks and much of the punctuation when they get started with dictation— anything you can do correctly the first time through voice dictation will be something you don’t have to fix later.
The Blog Post series
There are some people who might really be interested in this voice dictation thing, and so I am gathering my articles on this into a category or perhaps a tag. So people who are interested can find my other articles on the topic.
Do you have any questions about voice dictation for writers? Just ask. I will be glad to share anything I know. Or maybe I can find out for you.
Monica Leonelle books:
Links about dictation using Mac’s built-in software